During a fruitful meeting with a collector last week, I was asked, “how long does it take to make one of your artworks?”. I had a fresh perspective to share. The last 2 month in the studio been kind of like hitting my head against a brick wall, then getting all excited afterwards to try it […]
Let me introduce, Crimson Belligerence, a piece distinguished by vibrant ultramarine and crimson meteorological like clusters, vibrating and dissembling with atmospheric intensity. This piece reminds me to evaluate the speed in which perceived change occurs (as in worse case scenario need not be the default). The geometric shards have a feather-lightness to their mass, as if […]
Let me introduce, Labyrinth of Memories, a photogram that is unlike many of my works, its not full of releasing, kinetic movement. It has colored layers that collectively appear wedged into immovable confinement. If I was to use one word to describe this piece it would be, ‘snug’. The title for this piece also plays with […]
It would be a waste if artwork titles were merely a descriptive ‘what is it’. Nightingale Spectator is no different. The titles I assign for each photogram is an opportunity to get nudged toward a perspective of viewing new and fresh way. Linguistically, there is a rhythm in the titles, usually only 2 words using […]
I create to engage, jostle and spar as if it’s an art is an ethical act. I seek out the collapse of structural systems. The NEW emerges from the fragments of our past thought. This is reflected in the series, Precariously Bright, distinguished by auras of colorful meteorological like clusters, vibrating and dissembling with […]
When my art is brought into peoples homes, it can be transformative. It’s the art that acts as a kind of oxygen in the room, a breath of fresh air to open the consciousness and clear the mind. This is my function as an artist, to work with questions that don’t have straightforward answers. This […]
It’s hard to imagine, but it wasn’t that long ago that the common perception in the art world was ‘photography was not art’. Even in the 1990’s within the safe confines of a New York City art school, it was hotly debated. The NYC gallery scene all but confirmed it was gospel as well. “Photography” […]
It wasn’t that long ago, when we used to buy a new album, crank it up, playing it over-and-over as if we have nothing else in our music collection. With each loop, we internalize the rhythms, memorizing the lyrics, and yes, sing along – experiencing the music deeper. I wanted to share, this small piece […]
Awash in violet and magenta, Predictive Vapor is a vibrant piece from my newest series that exemplifies the contrasting elements of both whizzing movement and momentary stillness. I like to think of the crisp stillness as a temporary suspension, hovering in a momentary reprieve, surrounded by a blur of movement.
The title for this piece, Paragon En Masse is composed as an image of fractured shards in a state of collapse. The fragments caught in movement invoke a sense of gravitational heaviness in movement. The title is meant to behold the irony of excellence of the highest level for everyone. A highly improbable ideology in […]
Indeed life it too short to repeat oneself and I believe that is important for my art as well. There is confusion sometimes with my artwork being a hybrid between painting and photography, that the photograms are copies or duplicates, just like photographs are from an original negative or digital file. Nope! Each piece […]
One of the elements I love about my work, is it leaves no trace of the artist. There’s no surface brushstrokes or impasto to project a sense of the artists state-of-mind. There’s just a slick, glossy-wet and seductive materiality across the surface that plays with our sense of unfamiliarity. There is the texture of paint, […]
The title for this piece “Supreme Delight” is inspired from the rye and middle-aged humor of novelist Phillip Roth in American Pastoral. “the supreme delight of the afternoon, is simply finding that you haven’t made it onto the “In Memoriam” page.” Indeed the simple things, found in the delight to still be alive and kicking. […]
“Richard Slechta’s “Boundary Value” is especially engaging because it evokes a sense of wonder besides its visual appeal. Geometric abstract forms and vigorous color come together resplendently in his work. But the image stands at the intersection of science and metaphysics, holding a bit of mystery. Created using light and pigment (no camera), his photograms […]
For many years, my artwork series teeter back-and-forth between high-key, white and airy collections and low-key, dark, inky and heavy collections, like this piece Variable Reentry. They each serve their own purpose, to uplift and investigate something deeper. One thing I’ve come to see in my work, is that dark doesn’t necessarily mean dark in […]
The piece Boundary Value reminds me of the quote by Italian physicist, Carlo Rovelli “Reality is not as clear-cut as it seems.” Within this spiraling kaleidoscope-like geometric pattern, begins the adventure into perception.
If you enjoy art as much as I do, you probably have a mental list of artworks you want in your collection. I like to imagine those pieces that will simultaneously excite and complement the art and ideas that already fill my home. I see them as my Future Collection, as something that is a […]
Everything about Galvanized Imperfection points to the moments that immediately proceed. The halo of white light are a metaphysical counterpoint to the other artworks in this collection. Vibrating with potential energy, there is a hopeful sense that regardless of what could be anticipated, there is a perfection embedded in the readiness of time.
No matter how abstracted or non-representational the artwork veer towards, there are two forces that regularly pull our minds into the familiar; horizon and gravity. Rather than resists, I embrace them as elements that play with the dynamism of the action.
One of the driving questions I held during the creation of this collection was around the perils of uncontrollable uncertainty. This piece, Garden Variety Singularity is a prime example of this precarious state of accelerated motion. I’m reminded of the quote by race car driver, Mario Andretti, “If everything seems under control, you’re not going […]
I always enjoy seeing the perspective of curators and interior designers in how they choose to pair artworks together that builds on a common thread, further expanding the narrative. Enjoy the new release from the Precariously Bright Collection.
In the serene blue and purple blend into the dark hues of stillness set the environment to be suddenly disrupted by explosive force and cascading geometric debris. The title Reciprocal Ablation refers the cyclical nature of change and exchange.
Villa di Donato, Naples May 29 – June 10, 2019 It’s a pleasure to introduce my newest series ‘Ether of the Homeland’ for Summer 2019. This work is a look through the lens into the American Dream beheld by my immigrating family four generations ago and how it reflects onto our vision of the […]
The titled ‘Ablation Season’, is a period during which glaciers lose more mass than they gain; usually coincides with summer. It reminds me there are seasons of change for everything, nothing in life is static.
Ripe with pastoral vignettes typical to most early 20th century propaganda, the stage is set for a combustive double entendre within the artwork’s title Ether of the Homeland. The tossing narrative imagery of broken shackles, blindfolds removed, beers toasted and youth’s promise rising to the smell of prosperity. The ether is in the air […]
Surprisingly as an artist, I still enjoy hearing the stories and passions of art collectors. It’s a healthy reminder for an artist, that the enjoyment of a collection isn’t just about the jazz of consumption. With this in mind, I must share a recently discovered collectors website solely dedicated to interviewing and understanding the passions […]
This entire series began with a single spark, loaded with the call for equality, justice and dignity. A woman in her might, breaking loose the chains of oppression above her head. Printed in 1919, one of the first stamps, as a free and independent country at the end of WWI. Cleverly printed only a couple […]
One of my favorite new pieces released in 2019 is Plentiful Abundance. There’s a lot going on in this piece, so let me share a few of my indulgences. There’s flexing masculinity, youthful breasts and old-timers toasting beers to the spoils of productivity. Apples and fish are brimming in their baskets as the postage era promises […]
This is Equivocal Intersection, one of my fondest from this series as it calls on us to draw attention to not what is directly visible in front of us, but what is in our periphery. That narrow space between recognition and out of sight, that somehow seems to be wired to a more intuitive part […]
This extraordinary close-up detail of Mounting Reserves, really gets me thinking about, not so much “what” it is… but “how” it behaves, slowly unfolding in this soft pool of light. I see a delicate sensuality of grace.
Inflection Point exemplifies the core theme in my newest series, ‘Cascades’. What stands out differently is the dominate rigid blue bar that appears in so many other works, is now taken a contoured form. Its whipping movement, launches the shard like glass into a maelstrom of kinetic flight. Aptly titled ‘Inflection Point’, the interplay between […]
I imagine you all know my work well, but perhaps less about who I call my friendly competition – the rigorous circle of contemporary artists that also work within the genre of experimental, non-camera based photography. Not exactly mainstream, but it’s growing lure is an art genre that draws on older traditions of pre-digital methods […]
Nestled above the Sunset Strip in the Hollywood Hills, Slechta’s artworks become a feature of this modernists Tag Front architectural gem.
An important part of my studio practice is “how” I make my art. This “how” informs the intent that is embedded in the works. The glistening and pristine surface of the photo paper, only quietly whispers to the materials and mannerisms of its making. Draw closer and enjoy this video.
Gallery Projektraum M54, Art Basel, Switzerland ‘Ping Pong’, June 13-19, 2016 Richard joined the curated exhibition at gallery Projektraum M54, running with Art Basel, Switzerland.
Ping Pong LA @ LA Art ShowJanuary 27-31, 2016 Richard joined the curated exhibition, ‘Ping Pong’ at the LA Art Show, the 200,000 square foot modern and contemporary art fair that welcomed more than 60,000 art enthusiasts to the Los Angeles Convention Center. For this exhibition Richard introduced new works from the ‘Junctions’ collection.
The International Museum of Art and Science in Texas has acquired a piece for their permanent collection. This makes the second museum to acquire Richard’s work in 2015.
International Museum of Art and Science ‘Inherent Trajectories’, Solo Exhibition May 28 – Sept 13, 2015 Richard was invited to present his current exhibition at the International Museum of Art and Science. This is the third museum to host the ‘Inherent Trajectories’ exhibition and the first in Texas.